• HANNA HUR
  • WORK
  • CV
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CONTACT
HANNA HUR
WORK
CV


b. 1985 Toronto, lives and works in Los Angeles


Education

2019

MFA, University of California Los Angeles

2008

BFA, Concordia University, Montreal


2023

Hanna Hur at TOA Presents, Minneapolis *solo
Frieze Los Angeles with Kristina Kite Gallery *solo


2022

Shadow Tracer: Works on Paper, Aspen Art Museum, Aspen
Extensions Out (Benefit exhibition for Blank Forms), Luhring Augustine, New York
The Practice of Everyday Life, Derosia, New York
Drawing Down the Moon, Hammer Museum, Los Angeles
Independent with Kristina Kite Gallery, New York *solo

2021

Red Ecstatic, Kristina Kite Gallery, Los Angeles *solo
The Inconstant World, ICA LA, Los Angeles


2020

Fortune Baby God's Eyes, Feuilleton, Los Angeles *solo
Hanna Hur on Gallery Platform LA, Bel Ami *solo
radiant yellow mother, u's, Calgary

2019
Last Call, The Gallery at Michael's, Los Angeles
Lark, Macfarlane, Los Angeles
Drawings, Franz Kaka, Toronto
Signal at the Wheel, Hover at the Gate, Bel Ami, Los Angeles *solo

2018

Body, L’INCONNUE, Montreal

Annals of the Society for the Destruction of Unwritten Literature, LACA, Los Angeles

u at Utopian Visions, curated by Ana Iwataki and Marion Vasseur Raluy, Portland

Cupping the Counter, curated by Keith J. Varadi, Motel Gallery, Brooklyn

MiArt Fair with L’INCONNUE, Milan *solo 

Four Pillars, L’INCONNUE, Montreal


2017

undressing a clam, curated by Ana Iwataki, Visitor Welcome Center project space, Los Angeles *solo

Chance, on the edge of a line, curated by Audrey Moyer, The Sunroom, Richmond 

Trapdoor (with Michael Kennedy Costa), 67 Steps, Los Angeles


2016

Hybrid Objects, L’INCONNUE, Montreal

That Feeling, Eduardo Secci Contemporary, Florence

RBC Painting Competition, The Power Plant, Toronto

Land's End, curated by Haynes Riley, Fringe Projects, Miami

The fraud that goes under the name of love, curated by cheyanne turions and Amy Kazymerchyk, Audain Gallery at Simon Fraser University, Vancouver

NADA Art Fair with Roberta Pelan, New York *solo

The Lovers, Roberta Pelan, Toronto *solo 

Of Fauna and Flora, Tomorrow Gallery, New York


2015

RBC Painting Competition, Contemporary Art Gallery, Vancouver

Flat Sun on a Disc of Water, Narwhal Contemporary, Toronto

The Great Outdoors, curated by Aryen Hoekstra, Garden Avenue, Toronto 

Middle Ground, Jr. Projects, Toronto

Comforter, Shanaynay, Paris


Press

2022 Symbols, mirages, and the wondrousness of creative energy, feature in ArtAsiaPacific by Jennifer S. Lee

2022 My Way of Being, interview with Christopher Y. Lew for Independent NY 

2021 Red Ecstatic, reviewed by Contemporary Art Writing Daily

2021 Red Ecstatic, reviewed by Jody Zellen, Artillery Magazine

2021 The Inconstant World, reviewed by Vanessa Holyoak, Carla Magazine

2020 Fortune Baby God's Eyes, reviewed on Contemporary Art Writing Daily

2020 With Age, Interview with Building Block

2019 Signal at the Wheel, Hover at the Gate, reviewed by Erica Rawles, Artforum Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Tess Edmunson, Canadian Art Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Zoe Koke, The Editorial Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Sharon Mizota, The Los Angeles Times

2019 Signal at the Wheel, Hover at the Gate, reviewed by Annabel Osberg, Artillery Mag

2019 Body, reviewed by James D. Campbell, Border Crossings Magazine

2018 Critics' Picks - Four Pillars, Zeenat Nagree, Artforum
2018 
Four Pillars, reviewed by Nathalie Agostini, Anniversary Magazine
2018 
Four Pillars, review by Olivia Whittick, The Editorial Magazine
2018 
Four Pillars, review by James D. Campbell, Whitehot Magazine