b. 1985 Toronto, lives and works in New York
2019
MFA, University of California Los Angeles
2008
BFA, Concordia University, Montreal
2025
Head For The Hills!, Hammer Museum, Los Angeles
Rest and Reprieve: A Window Into Creative Solitude, A Benefit for Eighth House Residency, CANADA, New York
Cool Invitations 11, curated by Misako & Rosen, XYZ collective, Tokyo
1TB Verbatim: Los Angeles Timing 2013-2025, Leroy's, Los Angeles
2024
Hanna Hur, Keijiban, Kanazawa *solo
8, curated by Christopher Y. Lew and Hyejung Jang, Doosan Art Center, Seoul *solo
The Work of Hands, Galeria Dawid Radziszewski, Warsaw
Itinéraires Fantômes, Capc Musée d'art contemporain de Bordeaux, Bordeaux
Lavinia, Hannah Hoffman Gallery, Los Angeles
lost Thing, Dracula's Revenge, New York *solo
2018
Body, L’INCONNUE, Montreal
Annals of the Society for the Destruction of Unwritten Literature, LACA, Los Angeles
MiArt Fair with L’INCONNUE, Milan *solo
Four Pillars, L’INCONNUE, Montreal
2017
undressing a clam, curated by Ana Iwataki, Visitor Welcome Center project space, Los Angeles *solo
Chance, on the edge of a line, curated by Audrey Moyer, The Sunroom, Richmond
Trapdoor (with Michael Kennedy Costa), 67 Steps, Los Angeles
2016
Hybrid Objects, L’INCONNUE, Montreal
RBC Painting Competition, The Power Plant, Toronto
NADA Art Fair with Roberta Pelan, New York *solo
The Lovers, Roberta Pelan, Toronto *solo
2015
RBC Painting Competition, Contemporary Art Gallery, Vancouver
Flat Sun on a Disc of Water, Narwhal Contemporary, Toronto
The Great Outdoors, curated by Aryen Hoekstra, Garden Avenue, Toronto
Middle Ground, Jr. Projects, Toronto
Comforter, Shanaynay, Paris
Press
2024 8, reviewed by Andy St. Louis, Frieze Magazine
2024 Two Angels, reviewed by Red Cameron
2024 Two Angels, reviewed by Gracie Hadland, Artillery Magazine
2022 Symbols, mirages, and the wondrousness of creative energy, feature in ArtAsiaPacific by Jennifer S. Lee
2022 My Way of Being, interview with Christopher Y. Lew for Independent NY
2021 Red Ecstatic, reviewed by Contemporary Art Writing Daily
2021 Red Ecstatic, reviewed by Jody Zellen, Artillery Magazine
2021 The Inconstant World, reviewed by Vanessa Holyoak, Carla Magazine
2020 Fortune Baby God's Eyes, reviewed on Contemporary Art Writing Daily
2020 With Age, Interview with Building Block
2019 Signal at the Wheel, Hover at the Gate, reviewed by Erica Rawles, Artforum Magazine
2019 Signal at the Wheel, Hover at the Gate, reviewed by Tess Edmunson, Canadian Art Magazine
2019 Signal at the Wheel, Hover at the Gate, reviewed by Zoe Koke, The Editorial Magazine
2019 Signal at the Wheel, Hover at the Gate, reviewed by Sharon Mizota, The Los Angeles Times
2019 Signal at the Wheel, Hover at the Gate, reviewed by Annabel Osberg, Artillery Mag
2019 Body, reviewed by James D. Campbell, Border Crossings Magazine
2018 Critics' Picks - Four Pillars, Zeenat Nagree, Artforum
2018 Four Pillars, reviewed by Nathalie Agostini, Anniversary Magazine
2018 Four Pillars, review by Olivia Whittick, The Editorial Magazine
2018 Four Pillars, review by James D. Campbell, Whitehot Magazine