2018

Body, L’INCONNUE, Montreal

Annals of the Society for the Destruction of Unwritten Literature, LACA, Los Angeles

u at Utopian Visions, curated by Ana Iwataki and Marion Vasseur Raluy, Portland

Cupping the Counter, curated by Keith J. Varadi, Motel Gallery, Brooklyn

MiArt Fair with L’INCONNUE, Milan *solo 

Four Pillars, L’INCONNUE, Montreal

2017

undressing a clam, curated by Ana Iwataki, Visitor Welcome Center project space, Los Angeles *solo

Chance, on the edge of a line, curated by Audrey Moyer, The Sunroom, Richmond 

Trapdoor (with Michael Kennedy Costa), 67 Steps, Los Angeles

2016

Hybrid Objects, L’INCONNUE, Montreal

That Feeling, Eduardo Secci Contemporary, Florence

RBC Painting Competition, The Power Plant, Toronto

Land's End, curated by Haynes Riley, Fringe Projects, Miami

The fraud that goes under the name of love, curated by cheyanne turions and Amy Kazymerchyk, Audain Gallery at Simon Fraser University, Vancouver

NADA Art Fair with Roberta Pelan, New York *solo

The Lovers, Roberta Pelan, Toronto *solo 

Of Fauna and Flora, Tomorrow Gallery, New York

2015

RBC Painting Competition, Contemporary Art Gallery, Vancouver

Flat Sun on a Disc of Water, Narwhal Contemporary, Toronto

The Great Outdoors, curated by Aryen Hoekstra, Garden Avenue, Toronto 

Middle Ground, Jr. Projects, Toronto

Comforter, Shanaynay, Paris

Press

2022 Symbols, mirages, and the wondrousness of creative energy, feature in ArtAsiaPacific by Jennifer S. Lee

2022 My Way of Being, interview with Christopher Y. Lew for Independent NY 

2021 Red Ecstatic, reviewed by Contemporary Art Writing Daily

2021 Red Ecstatic, reviewed by Jody Zellen, Artillery Magazine

2021 The Inconstant World, reviewed by Vanessa Holyoak, Carla Magazine

2020 Fortune Baby God's Eyes, reviewed on Contemporary Art Writing Daily

2020 With Age, Interview with Building Block

2019 Signal at the Wheel, Hover at the Gate, reviewed by Erica Rawles, Artforum Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Tess Edmunson, Canadian Art Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Zoe Koke, The Editorial Magazine

2019 Signal at the Wheel, Hover at the Gate, reviewed by Sharon Mizota, The Los Angeles Times

2019 Signal at the Wheel, Hover at the Gate, reviewed by Annabel Osberg, Artillery Mag

2019 Body, reviewed by James D. Campbell, Border Crossings Magazine

2018 Critics' Picks - Four Pillars, Zeenat Nagree, Artforum
2018 Four Pillars, reviewed by Nathalie Agostini, Anniversary Magazine
2018 Four Pillars, review by Olivia Whittick, The Editorial Magazine
2018 Four Pillars, review by James D. Campbell, Whitehot Magazine